Sankofa as Sacred Writing Practice and Return to Ourselves
$420.00
Session dates: June 15, 17, 22, 24, and 25, 2026
Overview
Sankofa is a Twi word meaning "to go back and retrieve." It is associated with the Adinkra symbol of a mythical bird facing backward with an egg at its beak, while its feet press forward. The accompanying Akan proverb reminds us: it is not taboo to return for what you have forgotten. At its heart, Sankofa reflects the belief that the past is not behind us, it is a living guide, holding wisdom we are invited to carry forward.
In this workshop, participants will explore how Black and African feminist and womanist writers, thinkers, and artists use language and memory-keeping as methods of world-building. Through grounding practices and guided creative exercises, participants will engage with a curated selection of voices: Octavia E. Butler's manifesto, Audre Lorde on naming and navigating rage, bell hooks on ecology and belonging, Lucille Clifton on rest and praise, and Ama Ata Aidoo on memory-keeping as radical practice. It is for people who carry stories that have not yet found their form. It is for people who know, somewhere in their body, that writing is not just expression, it is a practice, it is memory-keeping, it is survival and self-preservation.
Each session opens up space for self-reflection, imagination, remembrance, and creative production accompanied by writing, sound, and visuals. Participants will be invited to sustain a daily morning pages practice throughout the course as an ongoing grounding ritual. By the end of the workshop, each participant will leave with a physical creative artifact of their choosing a zine, sound playlist, manifesto, or another form that deepens and expands their relationship with creativity, and preserves their own making in whatever medium feels most natural to them.
What You Will Learn
By the end of this micro-course, students will be able to:
Identify and name the lineage; personal, ancestral, intellectual that shapes their creative practice
Use writing, sound, collage, and map-making as tools of self-knowledge and community archiving
Sustain a daily writing practice through morning pages
Move through creative discomfort with intention rather than avoidance
Produce a personal artifact that can continue to grow and expand
Meet the Faculty
Dzidzor Azaglo
Northeastern University
Dzidzor Azaglo is a Ga-Ewe folklorist, sound collage- performing artist, and mystic whose work lives at the intersection of collective/community memory, womanist theology and somatic healing. Through call and response, she crafts sonic experiences that honor traditional storytelling while making space for contemporary voices. At the heart of her practice is a commitment to awakening the power and abundance present in communal bodies and to building cultures of care and freedom through creativity.
Dzidzor is the founder of Black Cotton Club and co-founder of the Department of Public Imagination alongside Crystal Bi. She holds a Master of Divinity and currently serves as Community Liaison for the Reckonings Project at Northeastern University.