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Feminisms Unbound

Feminisms unbound

GCWS has featured the Feminisms Unbound series for more than five years. This series is extremely popular with students, faculty, and the greater Boston feminist academic and activist communities. Feminisms Unbound, organized by GCWS affiliated faculty, features debates which focus on feminist concerns, theories, and practices in this contemporary moment. The goal of Feminisms Unbound is to foster conversations and community among Boston-area feminist intellectuals and activists. The series, in its open configuration, endeavors to allow the greatest measure of engagement across multiple disciplinary trajectories, and a full array of feminist investments. Feminisms Unbound is curated by a team of three faculty members who represent a number of institutions and disciplines.

Feminisms Unbound Team

Elora Chowdhury is Professor of Women's, Gender, and Sexuality Studies and Chair of Women’s, Gender, and Sexuality Studies at University of Massachusetts Boston. Her teaching and research interests include transnational feminisms, gender violence and human rights advocacy, narrative and film with an emphasis on South Asia. She is the author of Transnationalism Reversed: Women Organizing Against Gendered Violence in Bangladesh (2011), which was awarded the National Women’s Studies Association Gloria Anzaldua book prize in 2012; and the co-edited volume (with Liz Philipose) Dissident Friendships: Feminism, Imperialism and Transnational Solidarity(2016). Currently she is working on a book project titled, Transregional Filmscapes in South Asia: Borders, Encounters, Histories (with Esha Niyogi De).

Faith Smith is an Associate Professor of African and Afro-American Studies and English at Brandeis University. Her research engages aesthetic strategies of writers and artists contending with the legacies of slavery and indentureship, feminist engagements with the state in the wake of globalization, and the resonance of archival histories of intimacy and loss in the present. She is completing "Strolling in the Ruins: The Caribbean’s Non-Sovereign Modern in the Early Twentieth Century," a reading of the imperial present just before the First World War. Another project, “Dread Intimacies,” examines sovereignty, intimacy and violence in twenty-first-century fiction and visual culture.

Kareem Khubchandani is the Mellon Bridge Assistant Professor in theDepartment of Theatre, Dance, and Performance Studies and the Program in Women's, Gender, and Sexuality Studies at Tufts University. He is currently working on a book project titled Ishtyle: Accenting Gay Indian Nightlife (U. Michigan Press), a performance ethnography of queer social spaces in Bangalore and Chicago. He has published in Scholar and Feminist Online; Transgender Studies Quarterly; Journal of Asian American Studies; The Velvet Light Trap; Theater Topics; Theatre Journal; The Wiley Blackwell Encyclopedia of Gender and Sexuality Studies; Queer Dance (Oxford UP); and Queering Digital India(Edinburgh UP).

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